Synthesising practice and pedagogy, Moussavi tackles difficult questions and produces an architecture that is as inventive as it is unpredictable
Author Archives: Catherine Slessor
Outrage: Multiform movement making
The elastic taxonomy of PoMo’s latest revival Multiform is ultimately superficial and reductive
Outrage: the cost of caring for the Pompidou
The divergent afterlives of buildings are a damning expression of where we lavish our attention
Bill Slack (1929-2020): ‘a superb designer, with a cultured and incisive eye’
Catherine Slessor reflects on the life of the AR’s longest serving art editor, Bill Slack
Catherine Slessor: letter to a young architect
Catherine Slessor is a pearl-handled gun-for-hire. She maintains her enviable poise through bouts of mild swimming and wild martinis
Image rights and wrongs: architecture in the age of infinite reproduction
Atomised through digital content hubs, architecture’s production through mass media has become a commodified flick book, cut off from the realities that shape it
Corridors of uncertainty: Modernist utopia and cinematic menace
Whether an oppressive tool of state power or unsettling locus of supernatural disquiet, the corridor has come to embody a unique form of experiential desolation
Lights out: cities cloaked in darkness
Whether the result of war or technological failure, blackouts expose our precarious reliance on light, but also make us see social relations differently
Step change: Centre Building, LSE in London, UK by Rogers Stirk Harbour + Partners
Winner of the MJ Long Prize for Excellence in Practice 2020: the Centre Building of the LSE, designed by a Rogers Stirk Harbour + Partners team led by Tracy Meller, has given the London campus a new heart
Dust to dust: Bushey New Cemetery, Hertfordshire, UK, by Waugh Thistleton Architects
The rammed-earth pavilions of Waugh Thistleton’s Bushey New Cemetery provide an elegant and sober setting for funerals in a suburban idyll