Devised by pleasure-seeking Victorians but now undermined by social change and physical neglect, does the building that defined the seaside have a future?
Author Archives: Catherine Slessor
Tortuous trajectories: the loves and lives of Modern couples
Activating multiple modernities and identities, the Barbican’s Modern Couples exhibition probed the explicit intertwining of lives and art
Let them eat cake: Urbain Dubois
Food as phantasmagoric spectacle conceals murkier aspects of power relations
Outrage: Architects’ expensive trophy chairs are nothing new
All architects have a chair in them, but as with everyman novels, most should never hit the production line
Charlotte Perriand (1903-1999)
Inspired by Art Deco, the machine aesthetic, organicism, biomorphism, Art Brut and industrial prefabrication, French architect and furniture designer Charlotte Perriand deeply believed that good design should be fundamentally transformative and accessible to all
Cruel and usual: ‘Handbook of Tyranny’ by Theo Deutinger
From the emasculation of the public realm to the horror of capital punishment, state power depends on a hellish infrastructure of objects and tactics
Pleasure principles: on the homogenisation of the modern city
The commodification and proscription of urban intensity is a threat to the life of the city
Peter Davey (1940-2018): ‘a critical acumen of exceptional range and scope’
Peter Davey, who died in March aged 78, was the AR’s 11th and second longest-serving editor
Loos and Baker: a house for Josephine
Adolf Loos’s lost house for Josephine Baker marked a seminal moment in the expression of cultural and social modernity
STPMJ: ‘In Korea, architecture was not seen as a profession that synthesises cultural, social and environmental aspects’
With one foot in South Korea and the other in New York, the work of Seung Teak Lee and Mi Jung Lim is a hybridisation of East and West