Herzog & de Meuron

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Two decades of Herzog & de Meuron

Seen as unknowns when they were picked to design the Tate Modern in 1995, Herzog and de Meuron have today morphed into a ubiquitous global practice − yet their work cont...

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‘A civic masterpiece’: Charles Jencks on Herzog & de Meuron’s Elbphilharmonie

Hamburg’s masterwork is a combination of abstraction and explicit ornament

Seoripul Open Storage winner: Herzog & de Meuron

Competition results: Herzog & de Meuron wins Seoripul Open Storage contest
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Frames of reference: against the blank canvas
INDEXBIRDS

National Stadium in Beijing by Herzog and de Meuron
All Seeing Eye

Outrage: Herzog & de Meuron's ‘Tour Triangle’ in Paris is an irrelevant extravaganza
Index

Sporting Chance: Arena do Morro in Natal, Brazil by Herzog & de Meuron
Index

Miami Virtue: Pérez Art Museum in Miami by Herzog & de Meuron
Parrish Museum Index

The Parrish Museum on Long Island by Herzog & de Meuron, USA
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Ai Weiwei and Herzog and de Meuron's Serpentine Pavilion
The urban ‘diptych’ of the existing bunker-like block and new parking structure

1111 Lincoln Road by Herzog & de Meuron, Miami, USA
The ‘enigmatic thicket’ of the VitraHaus, an agglomeration of loosely and precipitously stacked bars, is the latest addition to a campus already bursting with architectural experiment

Vitrahaus by Herzog & De Meuron, Weil am Rhein, Germany
VitraHaus by Herzog & De Meuron

Weil am Rhein, Germany – Herzog & de Meuron plays architectural Jenga with its VitraHaus

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Since 1896, The Architectural Review has scoured the globe for architecture that challenges and inspires. Buildings old and new are chosen as prisms through which arguments and broader narratives are constructed. In their fearless storytelling, independent critical voices explore the forces that shape the homes, cities and places we inhabit.

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