The moving map: Black joy in the margin and at the centre

Movement enables a more adaptable safety, one rooted in trust rather than location

Resisting the controlling image: collage as a subversive tool

Eidetic photomontage is a tool to render the invisible visible, subverting the erasure of Black women in image-making

An ethics of care that takes into account the complex networks by which we relate to one another is required for a positive political imaginary

Khensani de Klerk visualises fictional anecdotes based on the real lived accounts of women of colour living in Cape Town