Author Archives: Leo Den Dulk

Mien Ruys (1904–1999)

By Leo Den Dulk 15 September 2024 Reputations

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The Dutch 20th-century landscape architect and garden designer believed in the social power of gardens

County Seat Valkenberg in Twente, the Netherlands, by Ard de Vries Architecten

13 July 2017 By Eleanor Beaumont

AR House Shortlist 2017: this house set in the idyllic Valkenberg Estate…

Defence of the realm: Fort Vechten Waterline Museum in Utrecht, the Netherlands by Studio Anne Holtrop

10 November 2017 By Manon Mollard

At Fort Vechten, built in the 19th century to protect western Holland…

De ploeg factory diederendirrix review 8

Refabricating de Stijl: De Ploeg factory, Bergeijk, the Netherlands by diederendirrix

18 December 2017 By Manon Mollard

AR New into Old Commended: Diederendirrix have recreated Gerrit Rietveld’s De Ploeg…

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Garden centre: Hage in Lund, Sweden by Brendeland & Kristoffersen

6 July 2023 By Philip Christou

Brendeland and Kristoffersen’s slowed‑down approach to city-building proposes a walled garden as…

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Lay of the landscape: The Meles Zenawi Memorial Park in Addis Ababa, Ethiopia by Studio Other Spaces, Fasil Giorghis and Vogt Landscape Architects

6 July 2023 By Aziza Abdulfetah and Yusuf Nazerali

The Meles Zenawi Memorial Park by Studio Other Spaces, Fasil Giorghis and…

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Living with plants: Garden Futures at Vitra Design Museum

8 July 2023 By Kristina Rapacki

Gardens reveal more about human culture than they do about the natural…

The Architectural Review Ground issue cover, September 2024, depicts a crater in Siberia formed from the collapse of melting permafrost. The photograph is by Katie Orlinsky and features a blue sky in the top 20%, then trees, grass and dark brown mud in gooey forms in the bottom two thirds of the image

AR September 2024: Ground

2 September 2024 By Manon Mollard, Eleanor Beaumont and Kristina Rapacki

Archigrest | Toposcape | La Cabina de La Curiosidad | Mien Ruys…

Since 1896, The Architectural Review has scoured the globe for architecture that challenges and inspires. Buildings old and new are chosen as prisms through which arguments and broader narratives are constructed. In their fearless storytelling, independent critical voices explore the forces that shape the homes, cities and places we inhabit.

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