The unattainable shore of utopia spurs great feats of discovery
Author Archives: Nicholas Olsberg
Flat-pack Wright
Frank Lloyd Wright’s most ambitious project was to design his more modest buildings – cheap family dwellings – so that they could be mass-produced on a vast scale, transforming the USA. It offers a vital lesson to us today
Bad Screen Resolution: DS+R’s Doomed Sculpture
A doomed installation by Diller Scofidio + Renfro revealed the secret life behind the facades of San Francisco
It’s a Small World, After All
Nicholas Olsberg reflects on the history of the now rehabilitated Ground Zero site through the story of Minoru Yamasaki’s World Trade Center
Cut and Print: Emerson College, Los Angeles by Morphosis
Drawing on the history and typology of its Hollywood milieu, Morphosis’s new media college abstracts and synthesises ideas about surface, space and social connectivity in an ambitiously scaled urban stage set
Architecture and Sculpture: A Dialogue in Los Angeles
Sculptural architecture can be moving, monstrous, or just plain arbitrary: a group of exhibitions in LA explores the borderline between the two spatial disciplines
Shattered glass: the history of architectural photography
Exploring photography’s obsession with architecture as motif and metaphor, a cluster of exhibitions in Los Angeles ended by questioning the neutrality of the camera in the architectural assignment
Alvaro Siza (1933- )
Looking back at key buildings and moments in Siza’s career
Los Angeles: Reflecting on six months of shows
As LA’s architecture season comes to close, Nicholas Olsberg reflects on experimental housing, lacklustre public buildings and an exciting ‘reconsideration’ of civic failures
Letting loose: Los Angeles in the seventies
Fantastic mirrored pachyderms coexist with an all too real landscape of strip malls and freeways in a new exhibition on Los Angeles that examines the city’s capacity to stimulate radical responses to space, structure and patterns of use