At this mixed-use facility for cats and humans in Buffalo, NY, Davidson Rafailidis show their commitment to architecture that is incremental and progressive
Author Archives: Raymund Ryan
Big Space, Little Space in Buffalo, United States by Davidson Rafailidis
Davidson Rafailidis’s latest house in Buffalo is a cocooned living area that spills out into a workshop, creating a slow and open-ended architecture
Kevin Roche (1922 – 2019)
From a humble first commission to build a piggery for his father in County Cork, the Irish-born American architect went on to work with Eero Saarinen and – with his partner John Dinkeloo – build his own monumental works across the States, culminating in the Pritzker Architecture Prize in 1982
‘The Manetti Shrem Museum of Art by SO-IL is an evolution in thinking about the contemporary art museum’
Moira Gemmill shortlist: the delicate canopy oversailing the galleries and workshops of SO-IL’s Manetti Shrem Museum of Art fosters intimacy and welcome
Heroic: Concrete Architecture and the New Boston
Brutalism is certainly having a moment
‘A distinct American-ness is found only in the regions, far from the seats of cultural power’
In a United States dominated by foreign architects clustered around NYC and LA, Raymund Ryan finds a new American architecture in unexpected places
Cube II Tower in Guadalajara, Mexico by Estudio Carme Pinós
A stone’s throw from the 2006 Torre Cube, the Cube II responds to a neighbourhood that has since radically changed
Instrumental Irish architects Sheila O’Donnell and John Tuomey win the RIBA Gold Medal
Only the second Irish practice ever to take the coveted award, O’Donnell + Tuomey’s often surprising architectural moves are marked by a deep understanding of site, bravery and passion
The Big House: Incarceration and Exhibition
Drawing a comparison between the architecture of prisons and museums, a study by Joe Day explores the duality of concealment and display in exhibition and incarceration
Museo Jumex in Mexico City by David Chipperfield Architects
David Chipperfieldʼs first project in Latin America is a fortified castle for modern art set in the dislocating blare of Mexico City