AR September 2024: Ground

François Cointeraux popularised pisé – raw earth – construction following the French Revolution in 1789, celebrating its ability to provide good quality homes to people of all social classes

Archigrest | Toposcape | La Cabina de La Curiosidad | Mien Ruys | Cesario Carena | MOTOElastico | Tropical Space | Worofila | Robust Architecture Workshop | Peris + Toral | Nomos | L’Atelier Senzu

The ground is sinking. A crater nearly a kilometre wide has opened in the Siberian forest, the earth giving way as the permafrost melts for the first time in 650,000 years. The revealed ground, depicted on the cover, is releasing thousands of tonnes of carbon into the atmosphere each year; but it also contains evidence of the Earth’s history.

Directly and indirectly, human activity leaves traces in the ground – evidence of lives lived, as well as destruction and violence. In Warsaw, a mound of war rubble has been turned into a memorial park, and layers of the city’s history made visible to the public. The neat strata depicted in archaeology and geology textbooks are often disrupted by conflict. In this issue’s keynote essay, Dima Srouji describes the ‘complex and entangled subterranean web of time, memory, life and death’ that lies below the surface in Gaza.

But the ground is also a place of rebirth and regrowth, when stewarded responsibly. In the Ecuadorian Andes, the Kichwa art and science of growing plants informs the choice of building materials, while a farming school in Sri Lanka revives ancient agricultural practices and construction techniques.

The ground itself is one of the oldest building materials. As contemporary experiments with multistorey compressed stabilised earth block housing in Eivissa and loadbearing rammed earth in Paris demonstrate, it is a radical act to rediscover this material, and unlearn the reliance on deeply carbon-intensive construction.

1514: Ground

The Architectural Review Ground issue cover, September 2024, depicts a crater in Siberia formed from the collapse of melting permafrost. The photograph is by Katie Orlinsky and features a blue sky in the top 20%, then trees, grass and dark brown mud in gooey forms in the bottom two thirds of the image

 

Cover (above) Katie Orlinsky 
The ancient permafrost is melting in Batagay, in Siberia, Russia. Having survived previous thaws, the region was deforested during the Soviet era to allow for tin mining, removing protection from the sun. The resulting crater – a ‘mega-slump’ – is the largest in the world, and still growing 

Folio (lead image)
François Cointeraux popularised pisé – raw earth – construction following the French Revolution in 1789, celebrating its ability to provide good quality homes to people of all social classes

Keynote
Depth unknown
Dima Srouji

Building
Rubble with a cause: Warsaw Uprising Mound park in Warsaw, Poland, by Archigrest and Toposcape
Adam Przywara

Essay
Sands of time
Ali Karimi

Essay
Remediation works
Anjulie Rao

Building
Chaki Wasi market hall in Zumbahua, Ecuador, by La Cabina de la Curiosidad
Ana María Durán Calisto and Natalia Gandarillas

Reputations
Mien Ruys (1904–1999)
Leo den Dulk

Outrage
Dubai-on-Øresund
Kristina Rapacki

Revisit
Fornace Carena in Turin, Italy
Davide Tommaso Ferrando

Building
Terracotta workshop in Quảng Nam, Vietnam, by Tropical Space
Hếiu Y and Vương An Nguyên

In practice
Worofila
Nzinga B Mboup

Building
Medical centre in Kaya, Burkina Faso, by Nomos
Amadou Zeba

Building
Social Housing in Eivissa, Spain, by Peris+Toral Arquitectes
Rafael Gómez-Moriana

Building
Farmer Field School in Thirappane, Sri Lanka, by Robust Architecture Workshop
Shayari de Silva

Building
Pavilion Le Vau in Paris, France, by L’Atelier Senzu
George Kafka

The last page
The marooned church of Megalopoli

AR September 2024

Ground

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